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Encore: Ruarc Peffers

Encore: Ruarc Peffers

Ruarc Peffers is the MD of Aspire Art Auctions. He graduated with a BA (Fine Art) from Michaelis, UCT, after which he started working in the art auction industry under

Justus Frantz

Justus Frantz

Not only is the music back in Johannesburg as Bongani Tembe, chief executive and artistic director of the Johannesburg and KwaZulu-Natal Philharmonic Orchestras, promised, but there is also a flourishing

Art and activism in ‘paradise’

Art and activism in ‘paradise’

Literary Landscapes is a monthly column by Indra Wussow, a writer, translator and director of the Sylt Foundation. The scorching sun burns the dusty field in front of the Manik Bumi Foundation

Everyone is Present

Everyone is Present

In this fascinating portrait of a family, Terry Kurgan, a well-known South African artist/photographer, uses the medium of writing for a series of meditations on photography that give us startling

Ingrid Bolton: Cellular

Ingrid Bolton: Cellular

Ingrid Bolton’s latest solo show, Reconnect Cubed, showed recently at Berman Contemporary in Sandton. Ashraf Jamal spoke to the artist about her practice, through which she expresses concerns ranging from

Standard Bank toasts 35 years!

Standard Bank toasts 35 years!

Since its inception almost four decades ago, one national award has come to be regarded as the ultimate accolade for young South African arts innovators on the cusp of greatness.

Museums beyond walls

Museums beyond walls

When walking across the Hatfield Campus at the University of Pretoria (UP), one does not only pass beautiful historic buildings with noteworthy architectural features, but also a diversity of contemporary

Another annus horribilis?

Another annus horribilis?

Lore Watterson is the Editor-in-Chief and Publisher of Creative Feel Magazine Is it really a year ago that I wrote the last December/January editor’s note? It seems to have been just yesterday

Live-stream performance: Art and tech

Live-stream performance: Art and tech

The Art of Performance is a monthly column written by Dave Mann, an editor and award-winning arts journalist. Earlier this year, I enjoyed the strange experience of watching a live theatrical