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Carin Bester She Had a Name 365 performance installation

‘Blowing in the Wind’ – A Eulogy to Victims of GBV in South Africa

Performance or ‘live art’, as described by choreographer, curator, academic and director of the Institute for Creative Arts (ICA), Jay Pather, ‘transcends disciplinary boundaries and aesthetic conventions[1].’ In the case of Carin Bester’s cross-disciplinary exhibition, She Had a Name 365, the subversive nature of performance

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